Friday Night At The Home Drive-In: Hell’s Bloody Devils (1970)

Poster for Hell's Bloody Devils (1970) Hell’s Bloody Devils (1970) by #AlAdamson

w/ #BroderickCrawford #ScottBrady #KentTaylor

“They’re MADMEN on MOTORCYCLES!“

“See – Barbaric Brutality! Female Love Slaves! Spectacular Action!”

“Isn’t that the most wonderful chicken you ever ate?”

#Crime #Bikers
#NotQuiteClassicCinema
#FridayNightAtTheHomeDriveIn

I’m going to keep this fairly short. Hell’s Bloody Devils (1970) is another Al Adamson special; a film that he created out of an older film (in this case, The Fakers / Smashing the Crime Syndicate (1968), which I wrote about a few weeks ago), by adding some newly shot footage to it. As I noted at the time:

The Fakers (1968)… doesn’t even get it’s own page on the IMDb. It’s simply referred to as an alternate title for Hell’s Bloody Devils (1970). This can’t be true. Al Adamson shot a bunch of footage involving bikers and added it to The Fakers (1968) in order to cash in on the popular biker genre – or so I’ve heard. There isn’t a single biker to be found in The Fakers (1968), so how can it be the same movie? Continue reading

Friday Night At The Home Drive-In: The Fakers / Smashing the Crime Syndicate (1968)

Poster forn The Fakers (1968)The Fakers / Smashing the Crime Syndicate (1968) by #AlAdamson
w/#BroderickCrawford #ScottBrady #KentTaylor

A syndicate dealing in counterfeit bills is unaware that a man they are in business with is a double agent for the FBI. Or…

Two agents tracking down Nazi war criminals unite to stop the syndicate from distributing counterfeit U.S. currency.

#Crime #Action
#NotQuiteClassicCinema
#FridayNightAtTheHomeDriveIn

The Fakers (1968) is not a movie that I’d ever heard of before – and I’m an Al Adamson completist. It doesn’t even get it’s own page on the IMDb. It’s simply referred to as an alternate title for Hell’s Bloody Devils (1970). This can’t be true. Al Adamson shot a bunch of footage involving bikers and added it to The Fakers (1968) in order to cash in on the popular biker genre – or so I’ve heard. There isn’t a single biker to be found in The Fakers (1968), so how can it be the same movie? Continue reading

Friday Night At The Home Drive-In: Blood of Ghastly Horror (1971)

Poster for Blood of Ghastly Horror (1971)Blood of Ghastly Horror (1971)
by #AlAdamson

w/ #JohnCarradine #KentTaylor #TommyKirk #ReginaCarrol

A mad doctor creates a fiend with an electronic brain.

“Human Zombies Rise From Their Coffins As Living Corpses”

#Horror #SciFi
#NotQuiteClassicCinema
#FridayNightAtTheHomeDriveIn.

What can I say about Blood of Ghastly Horror (1971)? It’s the third (or is it the fourth?) version of Al Adamson’s first feature film (not counting the movie he co-directed with his father).

According to Sam Sherman, it started life as something called Echo of Terror, which was a pretty good low budget crime film. Unfortunately, Al Adamson couldn’t find any distributor willing to take it. So, he added in some music and go-go dancing and changed the name to Psycho a Go Go (1965), which did find some limited distribution.

This is the first version of the movie that I ever saw – and I liked it. I wrote about it on a previous Friday:

Friday Night At The Home Drive-In: Psycho a Go Go (1965)

Still, it wasn’t a huge success. So, Adamson (and Sherman) got the idea to add some more footage into the movie and make it more of a horror film. They also hired famous actor John Carradine to appear in it. This would make the movie more marketable. They managed to sell it to television, where Sherman claims it played quite a bit in syndication. This version of the movie was called The Fiend with the Electronic Brain (1967) and I wrote about it on another Friday:

Friday Night At The Home Drive-In: The Fiend with the Electronic Brain (1967)

Still not satisfied, Adamson and Sherman added even more horror footage to the movie – this time featuring zombies of a sort – plus some new scenes with character actors Tommy Kirk and Kent Taylor. And some scenes featuring Adamson’s wife, Regina Carrol. I believe that they were going for the drive-in market with this one, and they pretty much got it. Blood of Ghastly Horror (1971) played top and bottom halves of drive-in bills for years. 

Sherman admits that the best version of the movie is probably the original version that never saw the light of day. It just wasn’t marketable, and at the end of the day, this was a business. So, even though he had to compromise his artistic vision, Al Adamson was okay with “ruining” his movie to create these other films.

Ruining is my word, but Sherman has used it in the past to describe what he did to other movies by adding new footage, so I don’t think he would mind me using it here.

Basically, I think I agree with Sherman. Psycho a Go Go (1965) is my favourite version of this film. I can enjoy the added scenes with Carradine, and I’m always glad to see Regina Carrol, but basically the movie worked best as a low budget crime film. The added horror stuff is fine, but it doesn’t really belong. 

Of course, I haven’t seen the Echo of Terror version, which may have been the very first version (if it in fact exists). But I actually LIKE the songs performed by Tacey Robbins – and the go go dancing – so I think I’m going to assume that Psycho a Go Go is the most satisfying version of the movie. 

Still, Blood of Ghastly Horror (1971) is about as #NotQuiteClassicCinema as any movie can be. It was made for drive-ins, and it certainly deserves a chance to  improve – or ruin – your next #FridayNightAtTheHomeDriveIn.