Friday Night At The Home Drive-In: Silent Night, Bloody Night (1972)

Poster for Silent Night, Bloody Night (1972)Silent Night, Bloody Night (1972) by #TheodoreGershuny

w/#PatrickONeal #MaryWoronov #JohnCarradine

A man inherits an old mansion which once was a mental home and is soon stalked by an ax murderer.

“The mansion… the madness… the maniac… no escape.”

#Xmas #Horror

I used to walk over to Jumbo Video with my friends (or sometimes alone) in the middle of the night. It was the first video store we had that was open 24 hours – and that seemed unreasonably cool to us. Sometimes you’d go to a late movie and then walk home and you’d realize that you were in the mood to watch two more movies and order pizza – but it was already after midnight! In the old days you’d be stuck watching whatever was on TV or – if you were lucky enough to have any – whatever VHS tapes you had in your collection. But truth be told, we didn’t really have collections yet.

VHS and Beta tapes were super expensive to buy – when they were available at all – and previously viewed movies hadn’t really been invented yet.

So, we rented movies whenever we could.

As I may have mentioned before, Jumbo Video had a horror castle – which was a room full of more horror films than anyone ever knew existed – and we always spent a lot of time wandering around inside of it. If we had rented a movie every day it would have still taken us years to see all of these obscure gems. And there were new ones being added all the time. Put simply, this castle was a horror junkie’s paradise.

VHS box for Christmas Evil (1980)I remember a little mini section of Christmas horror films on one of the shelves. This was before I had seen any of them, and my friends and I wold look at the boxes and laugh. Yes, we would laugh at the idea of Christmas being the subject of a scary movie. Halloween made sense to us. Friday the 13th made sense to us. Even Prom Night made sense, as we were all a little bit afraid of school dances. But titles like Christmas Evil (1980), Black Christmas (1974), and Don’t Open Till Christmas (1984) just seemed a little silly to us.

We knew about Silent Night, Deadly Night (1984), and how it had been pulled from the theatres due to some moral outrage – but we had not seen the movie yet. We could, however, see its influence as there were similar titles on the shelf, like Silent Night, Evil Night (which it turns out was a retitling of Black Christmas), and Silent Night, Bloody Night – which it turns out was made twelve years before the notorious Santa Claus slasher film.

VHS box for Silent Night, Bloody Night (1972)I eventually saw Silent Night, Deadly Night and I liked it. Then I saw Black Christmas (1974) and loved it. After that I watched every Christmas related horror film that I could get my hands on. This led me to eventually, pick up an old beat up VHS copy of Silent Night, Bloody Night (1972) and I thought it was pretty good. It had Mary Woronov in it, who I knew from Eating Raoul (1982) and a few other films.

Honestly, I think I found Silent Night, Bloody Night a tad confusing the first time I saw it. It probably didn’t help that it was a bad film print which had been cropped and transferred to a cheapo VHS tape (which had likely been somewhat abused before I bought it). The image was dark and fuzzy, and the sound was slightly muffled. Still, there was something I liked about the movie, so I kept it in my collection.

It grew on me over the years, as I watched it a few more times. Then I picked up a nice widescreen DVD that was almost in good shape – and it was like a whole new movie to me. I felt like I appreciated it more than I ever had before. Maybe I had simply finally seen it enough times, or maybe that widescreen image made all the difference. Whatever the case, I can now honestly say that I love this movie. And watching it last friday – on Christmas Eve – really confirmed that for me.

Don’t get me wrong. Black Christmas (1974) is still the greatest Xmas horror film of all time, in my opinion. And Christmas Evil (1980) is also very special to me – but that’s another story.

Silent Night, Bloody Night actually has some things in common with Black Christmas (1974). It’s kind of a proto-slasher film. I have to wonder if the filmmakers were influenced by some of the great giallos that had come before it. It has a great location/setting (the mansion that used to be a mental institution). It has some really great horror atmosphere, as only the movies of the early 1970s seem to have. It has suspense, and a sense of dread. And it has John Carradine instead of John Saxon – both genre legends whose films run the gamut from masterpieces to trash. 

Other interesting facts:

Mary Woronov was one of Andy Warhol’s superstars – and there are at least two others in Silent Night, Bloody Night: Ondine & Candy Darling. Woronov was also apparently married to the director, Theodore Gershuny, at one time. 

Lloyd Kaufman, legendary filmmaker and co-founder of Troma, was an associate producer of Silent Night, Bloody Night – or Ass Prod as I once called him on Twitter, to which he responded: “yes I was “ass producer!”… I still an “Ass Producer” check out @Return2NukeEm vol1″ – but I digress.

Silent Night, Bloody Night (1972) is #NotQuiteClassicCinema that could bring the merry good times to any #FridayNightAtTheHomeDriveIn – particularly one that falls on or around Xmas Eve. I know that I will continue to enjoy it for many years to come.

Friday Night At The Home Drive-In: Andy Warhol’s Bad (1977)

Andy Warhol’s Bad (1977) is one of those films that is almost mythical to me (in terms of my own life and how I experienced it – not that I had heard great mythical stories about it). I stumbled onto it as a VHS rental decades ago. I had been exploring Andy Warhol’s filmography, starting with Flesh for Frankenstein (1973) and Blood for Dracula (1974), of course. The VHS tapes showed up at my local video store and looked like something special. The boxes actually said Andy Warhol presents Dracula, and Andy Warhol presents Frankenstein. I read them as Andy Warhol’s Dracula and Andy Warhol’s Frankenstein, which I swear some boxes actually said. 

VHS box for Andy Warhol's DraculaVHS box for Andy Warhol's Frankenstein

One of the first things that I discovered about these films, is that they were not directed by Andy Warhol. Some guy named Paul Morrissey seemed to be getting all of the credit. How can this be? How can a film be called Andy Warhol’s (whatever) and not be directed by Andy Warhol? This was a new concept to me…

I’m not sure what I really knew about Andy Warhol in those days. Not a lot, I’m sure. I knew he was an artist. A “pop artist”, in fact, who painted things like soup cans.  And that he had famously predicted that “In the future, everyone will be world-famous for 15 minutes.” Although, it turns out that he may not have ever said that, in fact. Go figure.

VHS box for Andy Warhol's Heat - not for Andy Warhol's BadAt some point I must have found out that Andy Warhol made movies. Was that before the VHS tapes of …Dracula and …Frankenstein turned up at my store? I’m not sure. But after I watched those movies, and found them to be suitably unique. and interesting, I decided to rent all of the Andy Warhol’s (whatever) movies. There was Flesh (1968), Trash (1970), Heat (1972) and last, but not least, Bad (1977). The VHS tapes all looked like they were from a matching set, and it seemed like Andy Warhol had a thing for one word titles that were somewhat provocative. And most of them starred a guy named Joe Dallesandro, who was presented as if he was a big star, but I had never heard of him.  It turned out that he was what they call a Warhol superstar.  He went on to have a decent acting career, at first in Europe and then back in North America, where he appeared on TV shows like Miami Vice (1984-90) and The Hitchhiker (1983-91). He was also in John Waters’ Cry-Baby (1990), which is interesting for other reasons that will become apparent.

Andy Warhol’s Bad was the last of the first wave of Andy Warhol films that I made of point of renting and watching, and it was by far my favourite. I would say that it was the best, but that’s a highly subjective thing, and I don’t want to offend anyone who has another favourite (but it was the best). I would say that it blew my mind. It was so edgy and shocking (to me) and like the review on the cover of the VHS box said, it’s “A picture with something to offend absolutely everybody.” — New York Post

Needless to say, I loved it, and I wanted to buy a copy and add it to my collection. Unfortunately, it was pretty hard to come by. The VHS tape that I had rented was technically for sale, as all tapes were at my favourite video store, but the price on the sticker was $199.99. In my experience, this basically meant that the store did not want to sell it, but if anyone was crazy enough to pay two hundred dollars for it, they’d take it. I may have been crazy, but I wasn’t that crazy.

So, I spent the next twenty years keeping my eyes peeled, and scouring bargain bins everywhere that In went. But this movie was never for sale anywhere. I might have considered giving up and paying two hundred dollars for it, but it had long since disappeared from that store. Had someone else been crazy enough to pay that price? I’ll never know.

A couple of years ago, I found a cheapjack DVD released by Cheezy Movies. It was probably no better a print that I had originally seen on that old VHS tape many years ago, but the price was right, so I bought it.  Why has this film never been given the super-deluxe collector’s edition treatment? Why is there no Blu-ray? I’m sure there’s some bizarre legal reasons, or something like that. In any case, i’ll take what I can get until something better comes along.

It was great to finally see the movie again. Of course, it’s not quite so edgy and offensive anymore (to me). I’ve watched a lot of edgy, crazy, offensive movies in the decades since I first saw Bad.

This brings to mind another interesting point. many people have compared Bad to the films of John Waters. Some have even suggested that it was Andy Warhol’s attempt to do a John Waters film (that could have been a good title, actually: Andy Warhol’s John Waters). This is not something that would have ever occurred to me back when I first saw Bad, because I don’t think I had ever seen a John Waters film. Watching it now, after becoming a full fledged fan of John Waters and collecting all of his movies, I can see the comparison. There are still a lot of differences, and I’m not sure that it was actually an attempt to “do” John Waters. But I like Bad for many of the same reasons that I like John Waters, so that’s something, I guess.

I recently found out that Andy Warhol’s Bad (1977) ran for many years as a midnight movie in Chicago. This gives it the ultimate seal of approval as a perfect selection for a #FridayNightAtTheHomeDriveIn. It’s a wonderful, nostalgic blast from the past, and a timeless piece of #NotQuiteClassicCinema. And if you’re a little on the new side, it might still have the power to shock and offend you. And what could be better than that?